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عنوان اصلی:
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بازتاب عياري در ادبيات نمايشي (با تامل بر دو نمايشنامه quot;پهلوان اكبر مي ميردquot; نوشته بهرام بيضايي و quot; پايين گذر سقاخانهquot; نوشته اكبر رادي )
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خلاصه :
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The reflection of micro and macro cultures in different peoplesapos; behavior, literature, art and religion forms the essence of those nations cultural identity. An effect that, in one way, leads to the attractiveness of the work and on the other hand is ended in production of a remarkable piece of art.When you concentrate your attention on Iranian myth, history, religion, literature, art and discourse, it is totally impossible to ignore the effect of Ayari in those areas. The culture that has always excised among this nation; although, it may have changed superficially during the ages, but the essence has remained untouched. One can trace Ayari in every part of this nationapos;s culture and civilization.Reflecting on the relationships between Ayari culture and dramatic arts can provide a perspective which enables us to create dramatic situations and personages. And, ultimately, resulted in productions with Iranian national and cultural branches.Now, we come across with this question that despite the age and high capacity of this area in producing affective and Iranian drams, dose the reflection of Ayari culture resulted in production of dramatic pieces of art with national specifications or not?The following article is about to explain the Ayari culture and discover its reflections in the Iranian literature and theatre.Key words:Ayari, culture, discourse, dramatic play, Mehr, national identity, knighthood
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